The Rise of a Scene-Stealer

Rewatch Quigley Down Under today, and you’ll see something fascinating: While Tom Selleck’s sharpshooting cowboy rightfully earns the film its cult following, it’s Laura San Giacomo as the haunted, heartbreaking “Crazy Cora” who leaves the deepest mark. She didn’t just play the role—she inhabited it, turning what could’ve been a caricature into a woman etched with tragedy and resilience. That was San Giacomo’s gift: She could take a supporting role and make it unforgettable.

Before Quigley, she’d already made waves in Steven Soderbergh’s sex, lies, and videotape, a Sundance sensation that put indie cinema on the map. And then came Pretty Woman, where her sharp-tongued, street-smart Kit De Luca nearly stole the movie from Julia Roberts. Hollywood took notice—San Giacomo had that rare blend of authenticity and star power.

The Pivot: When Fame Took a Backseat

By the 2000s, she was everywhere: HBO’s The Stand, Just Shoot Me! (where her acerbic Maya Gallo earned an Emmy nod), and a string of films that showcased her range. But as her career soared, something shifted. The actress who once lit up screens began appearing less frequently, choosing smaller projects or stepping away altogether. The reason? Family.

In interviews, San Giacomo has spoken openly about prioritizing her son, Mason—about wanting to be present in a way Hollywood’s relentless pace rarely allows. It wasn’t a disappearance, but a recalibration. She still acted, but on her terms: guest spots (Grey’s Anatomy, NCIS), indie films, and theater (her first love).

Where Is She Now?

Today, San Giacomo works selectively, often in voice acting (that iconic voice hasn’t lost an ounce of its power). She’s spoken about the joy of teaching acting, too—passing the torch to a new generation. And when she does return to screens, it’s a reminder of what we’ve missed: that rare performer who could make even the smallest role crackle with life.